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Untitled (Construction)
© » KADIST

Larry Bell

Sculpture (Sculpture)

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.

VFGY9
© » KADIST

Larry Bell

Drawing & Print (Drawing & Print)

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.

Untitled
© » KADIST

John McCracken

Painting (Painting)

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.

Studio Construct 51
© » KADIST

Barbara Kasten

Photography (Photography)

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.

Going Round and Round in a Line ST (12m)
© » KADIST

Javier M. Rodríguez

Sculpture (Sculpture)

Javier M. Rodriguez’s Going Round and Round in a Line ST (12m) is a sculptural composition made of the simplest materials—a single tape measure and metal rivets. The rivets lock the tape measure in its contorted shape, bending in angles to create a geometric abstraction. The piece hangs simply from the ceiling, at times rotating around, its shape changing with our point of view.

I am Human, Abstract Foil, No Humans IV
© » KADIST

Chris Johanson

Painting (Painting)

Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.

Ohne Titel
© » KADIST

Matti Braun

Painting (Painting)

During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker. On this occasion he learned about batik, a fabric printing technique which originates not only from Indonesia but also from Senegal. It is also widespread in Africa.

Abstracción geométrico-galáctica
© » KADIST

Ad Minoliti

Painting (Painting)

In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world. A departure from previous bodies of work that explore the modern interiors of 1960’s-era American homes, porn sets, and jungles, Abstracción geométrico-galáctica launches the artist’s geometric characters into space for the first time. The work draws directly from Minoliti’s experience with The Feminist School of Painting .

Untitled (Butterfly)
© » KADIST

Mark Grotjahn

Drawing & Print (Drawing & Print)

This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective. Unlike the traditional vanishing point, the rays here emanate from the surface’s middle and hover around an indefinite and impossible convergence. The resulting fluttering of the image’s sections animates the drawing in relationship to its named subject, the butterfly.

The Prisoner’s Cinema
© » KADIST

Melvin Moti

Film & Video (Film & Video)

“The Prisoner’s Cinema” is a phenomenon described in neurology as a hallucination, that appears after a prolonged absence of visual sensations. A blind screen of hallucinations forms itself on the eyes cut off from visual stimuli. The subject can see this projection, but fails to register these mental images, transforming it into an intimate and personal experience.

Wind
© » KADIST

Antonio Pichillá

Sculpture (Sculpture)

Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition. It is woven in the four colors of each of the cardinal points which, together, symbolize the entire universe. It is woven mostly with knots that the artist refers to as a “bond between two or more systems that also represents a closure […] the knot in the throat that submerges the voice.” This piece, like other works in Pichillá’s practice, is an attempt to reconcile the Maya Tz’utujil symbolic tradition with Western art historical categories and practices.

New Fall Lineup
© » KADIST

Conrad Ruiz

Painting (Painting)

It may take a minute to recognize the background of New Fall Lineup – the colors are tweaked into a world of cartoon and candy, and it is covered by leaping energetic figures and flying squirrels. One realizes, though, that the image is of the World Trade Center exploding into flame, creating a strange contrast with the painting’s colors and the other images. The combination is peculiar because the role the explosion serves here is non-specific.

Blockbuster
© » KADIST

Conrad Ruiz

Painting (Painting)

Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects. He also often works at a very large scale to emphasize a connection to the tradition of history painting. Blockbuster (2011) was, at the time of its creation, the largest watercolor painting he had ever made.

G.S.F.C. #3
© » KADIST

Ad Minoliti

Painting (Painting)

G. S. F. C. #3 (Geometrical Sci-Fi Cyborg) belongs to a series of paintings that build upon the artist’s exploration into feminist speculative fiction and the cyborg as a creature of contemporary reality and fiction. The cyborg painting, as she calls it, is made through a smearing of human and machine in which the composition of color landscape with outlines of anthropomorphized forms is stenciled and airbrushed onto canvas, then photographed an printed onto canvas. Once this is done, Minoliti goes back over the printed canvas with paint.

Rombo para sanar No. 2 (Rhombus for Healing No. 2)
© » KADIST

Sandra Monterroso

Drawing & Print (Drawing & Print)

Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No. 2 by Sandra Monterroso brings together several of the artist’s interests: the use of ritual and medicinal elements; the conciliation of Western and indigenous formal languages; and more recently, sewing as a recognition and celebration of her maternal lineage. The series as a whole and this painting in particular continue her interest in textiles as visual references and cultural tools to address her native Guatemala’s complex political and cultural histories.

Blindseye Arranger (Max)
© » KADIST

Brian Bress

Film & Video (Film & Video)

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape. As the video progresses, however, a disembodied hand begins to move these forms, animating a pictorial frame that was previously still. The hand – ostensibly the “arranger” of the works title – functions as a metonym of the artist’s hand, quite literally bringing a motionless work to life.

Untitled
© » KADIST

Francisco Herrero Peñuela

Painting (Painting)

Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces. Practicing a form of marquetry common in 15th century Italy—intarsia—Peñuela pieces together fragments of wood to create abstract images in warm tones of gold, brown, and black. While original Italian intarsia would have been representational, embedding landscapes, objects, and narrative scenes directly into walls, Peñuela’s compositions hedge away from direct representation, with shapes and pattern emerging organically out of his carefully arranged wooden pieces.

Quilted Figure
© » KADIST

Ruby Sky Stiler

Painting (Painting)

The depiction of the female figure in the sculptures remains an economic, canny composition of geometric abstractions in a Modernist spirit. Yet rather than provide us with the layers of information found in her wall reliefs, the sculptures exclusively frame space. In place of the tactile surfaces that can be carved into and drawn on, the sculptures’ outlines provide multiple perspectives on to their surroundings, and additionally unto themselves.

Exploitation of the Dead
© » KADIST

Mladen Stilinovic

Painting (Painting)

The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time. The installation is presented like a “parade of objects”, with images whose historical role has been suspended or their meaning has changed. The references have become lost, through repetition the works have become banal.

Geomtric Construction of Antiquity, 6
© » KADIST

Christopher Badger

Painting (Painting)

In mathematics, the so-called geometric problems of antiquity are shapes that elude the classical tools of an unmarked straightedge and compass. In Geometric Construction of Antiquity, 6 (2011), Badger doggedly sets out to represent one such form. Each of six circles grazes its opposite and crosses the other five.

The Fifth Quarter
© » KADIST

Toby Ziegler

Painting (Painting)

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means.

Purple Brush 8
© » KADIST

Shaun O'Dell

Painting (Painting)

Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures. Whether abstract or figurative, they often read like hieroglyphics, in that they piece together a philosophical portrait of reality. Purple Brush 8 is a painting that details a meeting of geometric forms, and the optical play that results.

Untitled (Sword)
© » KADIST

Shilpa Gupta

Sculpture (Sculpture)

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall. Its severed tip dangles from the end of the blade by a string, floating just above the gallery floor.

Untitled
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.

Kosmic Music
© » KADIST

Wadada Leo Smith

Drawing & Print (Drawing & Print)

Kosmic Music is a musical score comprised of two parts: a single mixed media drawing titled Colors and Satellites, and a pair of mixed media drawings titled Koral Reef . Conceived of together as a single musical score, the three drawings exemplify a specific stage in the evolution of Wadada Leo Smith’s Ankhrasmation Language, which he has been developing since 1967. Although at first glance the works in Kosmic Music might appear abstract compositions drawn on paper, as with other scores produced by Smith, suggestions of musical structures are revealed upon closer inspection: an entanglement of musical sheets and bright geometric forms.

Domes, #1
© » KADIST

Judy Chicago

Sculpture (Sculpture)

Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles. By 1968, the year she began creating Domes , the twenty-nine-year-old artist had moved from Chicago to Los Angeles, graduated from UCLA, and was part of a generation of artists whose work was characterized by of the masculine overtones of Southern California’s flourishing car culture. Inspired by new technologies in the auto manufacturing, these “Finish Fetish” artists appropriated industrial materials such as car paint or lacquer to create artwork with pristine finishes.

JCA-25-SC
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

After being cast, the resulting resin block used in JCA-25-SC was cut into thin slices obtaining a series of rectangular shapes that resemble ceramic tiles. Usually displayed in grid against the wall or in a corner, the viewer is able to follow the sequence of cross sections to visually recreate the work’s genesis. In this way, Caesar’s pieces embody an interesting x-ray or archaeology of the artistic process itself.

Execution Changes #22
© » KADIST

Julian Hoeber

Painting (Painting)

Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.

Untitled
© » KADIST

Lucia Madriz

Painting (Painting)

In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there. Tinting the underlying wood but not covering it, Madriz’s delicate cubes seem to hover on the surface of the warm wood surfaces, drawing more attention to the grain and its own natural pattern. Always drawing the attention back to the natural world, Madriz’s multimedia works aim to reassert the natural, and our own links to it.

U: Repair the cowshed after losing the cow = Too late
© » KADIST

Seulgi Lee

Textile (Textile)

The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”. This work by Seulgi Lee is a nubi (traditional Korean quilt) blanket project that shows Korean proverbs expressed as geometric shapes. Nubi blankets were used as single sheet summer blankets in Korean households until the 1980s.

Chris Johanson

Jedediah Caesar

Larry Bell

Conrad Ruiz

Conrad Ruiz makes watercolor paintings of fantastic scenes...

Melvin Moti

Scientific research, high and mass culture, and the processes of cultural production in contemporary society plays an important role in the work of Rotterdam-born artist Melvin Moti, currently based in Rotterdam and in Berlin...

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Sheroanawe Hakihiiwe

Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...

Daniel Boccato

The work of Daniel Boccato deals with the relationships between form and language, abstraction and figuration, and forces the viewer to try to name, categorize and differentiate...

Yin-Ju Chen

Ad Minoliti

Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...

Eric Dizambourg

Working primarily in painting and video, Eric Dizambourg merges the burlesque with the rustic, blurring the boundaries between reality and representation...

Erin Shirreff

Matti Braun

Matti Braun’s work entails research and experienced wanderings during sojourns and journeys...

Amalia Pica

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

Seulgi Lee

Seulgi Lee’s artistic references range from anthropological materials, archetypical linguistic elements, vernacular culture, handcrafts tradition, to the graphic culture of animistic belief found in diverse locals around the world...

Yan Xing

Arabella Campbell

Arabella Campbell is a Vancouver-based painter who explores the intricacies of abstraction...

Robert Therrien

Masaya Chiba

Masaya Chiba utilizes painting, sculpture, and installation to create dreamlike works that respond to Surrealism traditions while also exploring the limits of representation and translation...

Brian Bress

Teresa Burga

A pioneer of Latin American Conceptualism, since the 1960s, Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies...

Jochen Lempert

Trained as a biologist, Lempert’s subjects are nature and its inhabitants while also being very influenced by the art of his time: seriality, archiving, abstraction, all-over painting...

Barbara Kasten

Jesse Chun

Through video, drawing, sculpture, sound, installation, and publications, Jesse Chun’s multidisciplinary practice critically engages with the politics of language...

Stephen Beal

Stephen Beal is a painter and the current president of California College of the Arts...

Judy Chicago

Frieda Toranzo Jaeger

Many of Frieda Toranzo Jaeger’s works take the triptych format, employed by artists over many centuries to represent religious devotion...

© » ARTSY

about 3 months ago (02/12/2024)

Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...

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about 3 months ago (02/12/2024)

Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty | Artsy Skip to Main Content Advertisement Art Savannah Marie Harris’s Bold Abstract Canvases Are Rife with Tension and Beauty Casey Lesser Feb 12, 2024 2:00PM Portrait of Savannah Marie Harris...

© » ART & OBJECT

about 3 months ago (02/12/2024)

See Highlights from Zona Maco in Mexico City | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » THE GUARDIAN

about 3 months ago (02/11/2024)

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...

© » HYPERALLERGIC

about 3 months ago (02/11/2024)

Harriet Korman’s Nonchalant Rigor Skip to content Harriet Korman, "Untitled" (2022), oil on canvas, 24 x 30 inches (all images courtesy the artist and Thomas Erben Gallery) Harriet Korman’s paintings are simultaneously rigorous and nonchalant...

© » ARTSY

about 3 months ago (02/08/2024)

The Data Behind Artsy’s Online Art Fair, Foundations | Artsy Skip to Main Content Art Market The Data Behind Artsy’s Online Art Fair, Foundations Arun Kakar Feb 8, 2024 5:39PM Underway through February 14th, Artsy’s online art fair Foundations spotlights 130 tastemaking galleries from more than 35 countries worldwide, united by their ability to uncover fresh and underrecognized artists...

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about 3 months ago (02/06/2024)

12 Must-See Shows during Mexico City Art Week | Artsy Skip to Main Content Advertisement Art 12 Must-See Shows during Mexico City Art Week Maxwell Rabb Feb 6, 2024 8:00PM Installation view of Nilufar at Casa Pedro Ramírez Vàzquez...

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about 3 months ago (02/05/2024)

5 Artists on Our Radar in February 2024 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in February 2024 Artsy Editorial Feb 5, 2024 8:50PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...

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about 3 months ago (02/02/2024)

13 artists at Art Rotterdam Skip to content By Paul Carey-Kent • 2 February 2024 Share — This year marks the 25 th anniversary of Art Rotterdam (1-4 Feb), and the last before it moves from the iconic Van Nellefabriek ex-factory, an architectural classic, to a bigger and more central site...

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about 3 months ago (02/01/2024)

Hudson Valley (and vicinity) Selected Gallery Guide: Feb 2024 – Two Coats of Paint Geary: Will Hutnick, Shake the Sheets, 2023, acrylic, ink and wax pastel on canvas, 36 x 48 inches Contributed by Karlyn Benson / A few Hudson Valley galleries are taking a break this month, but many are opening exciting new shows...

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about 3 months ago (02/01/2024)

29 Emerging Black Artists to Discover This Black History Month, Part 1 | Artsy Skip to Main Content Art 29 Emerging Black Artists to Discover This Black History Month, Part 1 Isis Davis-Marks Feb 1, 2024 4:57PM To recognize Black History Month, Artsy is spotlighting 29 emerging Black artists—one for each day of this important month...

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about 3 months ago (01/25/2024)

Explore the Next Generation of UK Artists with 'Present Tense' - FAD Magazine Skip to content By Mark Westall • 25 January 2024 Share — ‘Present Tense’ spotlights the next generation of artists living and working in the UK, from emerging to mid-career, celebrating a breadth of creative talent and socially engaged practices...

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about 3 months ago (01/23/2024)

Bartek Świątecki: “the light vibrates under our eyelids” in Stare Kawkowo | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY The nature’s gentle harmony is, probably, the best remedy for the speeding time of today...

© » FLASH ART

about 4 months ago (12/22/2023)

Haris Epaminonda "VOL...

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about 5 months ago (12/17/2023)

The Impurities of Pure Abstraction Skip to content David Diao, "BN: The Paintings in Scale (Blue)" (1991), acrylic and vinyl on canvas, 78 x 132 inches (all images courtesy the artist and Greene Naftali, New York, photos Zeshan Ahmed) David Diao loves pure abstract painting as embodied by the highly revered work of Barnett Newman and Kasimir Malevich, even as he doubts their claims of attaining the sublime or achieving a utopian, universalist language...

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about 5 months ago (12/14/2023)

The 10 Most Expensive Works Sold at Auction in 2023 | Artsy Skip to Main Content Advertisement The Most Expensive Artworks Sold at Auction Art Market The 10 Most Expensive Works Sold at Auction in 2023 Maxwell Rabb Dec 14, 2023 4:18PM While 2022 at auction was a “ return to routine ” after the COVID-19 pandemic, 2023 was a year of more subdued action under the hammer...

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about 5 months ago (12/12/2023)

Who Was Hilma af Klint? | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » GALERIE MAGAZINE

about 5 months ago (12/11/2023)

8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art in Miami - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of Henrik Godsk at Vigo Gallery at Untitled Art 2023...

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about 5 months ago (12/09/2023)

In pictures: focus on Caribbean artists Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: focus on Caribbean artists María Elena Ortiz, curator at the Modern Art Museum of Fort Worth, picks her favourite works at Art Basel in Miami Beach Alexander Morrison 9 December 2023 Share April Bey, COLONIAL SWAG: Not Conceited, CONVINCED! (2023) © Liliana Mora María Elena Ortiz is a trailblazing curator at the Modern Art Museum of Fort Worth (the Modern), but she also has close ties to South Florida...

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about 5 months ago (12/08/2023)

Generative art pioneer Vera Molnár has died aged 99...

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about 5 months ago (12/08/2023)

Private Collections Around Miami Delight as Museum Shows Disappoint – ARTnews.com Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All December 8, 2023 8:00am "Utility," at the Bunker Artspace, featured works from Beth Rudin DeWoody's collection...

© » THE ARTBLOG

about 5 months ago (12/04/2023)

Artblog | Poetry and memory, Patricia Moss-Vreeland at the Phillips Museum of Art, Franklin and Marshall College Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Poetry and memory, Patricia Moss-Vreeland at the Phillips Museum of Art, Franklin and Marshall College By Martina Merlo December 4, 2023 Our contributor Martina Merlo sees an exhibition about memory at the Phillips Museum at Franklin and Marshall College....

© » THE ARTBLOG

about 5 months ago (11/30/2023)

Artblog | Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg By Dereck Stafford Mangus November 30, 2023 Artblog contributor Dereck Mangus, who is based in Baltimore, visits the Susquehanna Art Museum in Harrisburg and finds excellence in a wide-ranging exhibit of modern and contemporary abstract art....

© » FAD MAGAZINE

about 5 months ago (11/29/2023)

Uman to be represented by Hauser & With in partnership with Nicola Vassell Gallery...

© » TWOCOATSOFPAINT

about 5 months ago (11/29/2023)

Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...

© » ARTSY

about 5 months ago (11/21/2023)

Jessica Silverman announces representation of Beverly Fishman, painter of geometric forms...

© » EYE OF PHOTOGRAPHY

about 7 months ago (10/13/2023)

© 2023 All rights reserved - The Eye of Photography Laurence Biaggi, 27-(4°72_S,37°29_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 1-(25°10_N, 80°42_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 28-(40°28_N, 17°85_E) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 24-(5°09_S, 36°27_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 6-(2°86_S, 40°65_O) © Laurence Biaggi / Galerie Mondapart, 2023 “Instantly, the images take us to an elsewhere, at first geographical, then, with time, transformed into an inner elsewhere...

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about 28 months ago (01/20/2022)

Field Guide - Imagined Specimens and Ecosystems — Artnome Menu Blog Exploring art through data using the Artnome database...

© » HIGH FRUCTOSE

about 54 months ago (11/26/2019)

Lee Jinju's riveting scenes, with cascading planes and perspectives, offer both intimate symbology and an invitation to draw your own associations...

© » ARTNEWS CN

about 124 months ago (02/26/2014)

Liu Wei: China’s Trickster Mixer-Upper – ARTnews.com Skip to main content By Barbara Pollack Plus Icon Barbara Pollack View All February 26, 2014 5:00am When the Rubell Family Collection opened its doors with an exhibition of 28 Chinese artists in time for Art Basel Miami Beach last December, one of the stars that emerged from the show was Liu Wei , whose brand of geometric abstraction surprised many Americans looking for more stereotypical hallmarks of Chinese art ...